[Editor's Note: Please welcome professional musician Hunter Sholar, user @Guyute1976, who offers this recap of last night’s show. -CD]
I can’t start writing this blog post without giving a little background about myself and how I became a Phish fan. I’m a late bloomer with this band. I went to Northwestern University and was a Horn Performance Major, and I was surrounded by so many talented musicians with eclectic musical tastes. Some of my closest friends, including Drew Hitz (who many of you know), were diehard Phanatics, but during my undergrad years (1995-1999), I didn’t relate to them, somehow. Nope, I waited until the band had broken up, and then fell hook, line and sinker for them in the summer of 2005, and saw my first show on 3/8/2009 at the Hampton Coliseum. I missed the live pre-Phish 3.0 era, but thanks to their immense catalog of live shows, I’ve had plenty of time to do my research and play catch-up.
Wednesday 10/19/2016 marked my 29th show, and it was significant on so many levels – I’ll get to that in a minute. Since seeing my first show, I’ve had the pleasure of meeting Trey. I’m a member of The Nashville Symphony Orchestra, where I play the Horn, and I actually met him after one of my symphony concerts at the Schermerhorn Symphony Center a few years ago, just a few blocks away from Ascend Amphitheater. Our mutual friend, Don Hart (composer/arranger who orchestrates Trey’s orchestral music), brought him in while the band was in town recording Wingsuit. Why is this significant, you might ask? Don and his family were attending the Ascend shows, and this was perhaps part of the reason our guys really stepped it up both nights.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.