Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by andrewrose
You almost get two openers with the NICU, and then the Curtain which in those days typically meant that a good time was ahead. Then the Halley's is out-of-the-gate spectacular. Concise focused exploratory jamming that goes a lot of places in just under 15 minutes. The kind of ambient, textured but dancey grooves the band was laying down these days was the perfect canvas for Trey at the time. He was full of fresh ideas, hitting all the notes. A great segue into Roses are Free (the first since Nov '98) that dissolved into an out of left field N20 bustout is prime first set material. The Reba might be the best of the year, too. So laid back. And atypical at moments, especially in the early goings around 8:45. Again, Trey with the notes, with Page doing his best Brent Mydland impression underneath.
Set two doesn't reach as many high points, with the laid back vibe maybe getting pushed a bit too far at times, though the 20 minutes Wolfman's is certainly worth checking out if you're feeling patient.
Definitely hear the Halley's and Reba!