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Review by dscott
Then, things really got good. Drowned was a mood-shifting journey, highlit by a languid chordal drift down a lazy river - akin to the Coventry soundcheck without the mud or the cows. Jarring intro to Light, but good & tight, and this version crackles. Particles and waves gushing out of a shreddy hose, and then it gets drippy and glurpy for a while before inexplicably fizzling to silence. Sand is redemption. Dirty, snarling Ocedoc madness! The moon people came out to do the techy stomp. If only it didn't end so soon. Theme has some rough spots, but it's energetic enough. Mike's is short, but different. No Quarter has some ugly, deflating flubs, but it still delivers us some evil. Weekapaug gets slap-happy and weird. Mid-register twangy shredding replaces the old-school dizzying torrent of high notes. It works. They didn't quite stick this landing, but no worries.
Boogie On-core!!! Gotta love that big farty bass whomp! Fishman stealthily hands off the sticks to another drummer mid-song, and both Trey and Page seem surprised when they turn around and the drummer ain't dressed like no lady! Awkwardly abrupt ending. Fishman introduces Kennard, and quickly tells him how to play Possum. What a glorious, driving Possum! Fight bell!!! A weird finish, as Fishman never returns to the stage, but mucho fun.
Once again, thank you Phish!!! Hope to see you again someplace next year!