Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by thejajunker
That first set, aside from the awkward turn into Army of One, is pretty much a ball of energy spinning from beginning to end. Highlights certainly include a Bathtub Gin worthy of comparison to others in 2.0 and a pretty straight forward fire version (for 2.0) of SOaM.
The second set is where this show both hits a peak and then wavers until Cavern comes back. The Halley's>C&P>Slave is a personal favorite, including one of my top 3 fav C&P, mostly because there was a chaotic energy in the first few minutes of the jam eventually sliding into some calmer groovier waters. Which immediately pumps into a sloooow, a bit messy, but serene version of Slave. Seriously, Trey sustaining that note for nearly 2 minutes gives me chills. There was something to his quieter play during the Pharwell Tour that was palpable and supremely delicate and emotional, wild and sloppy. It's as raw as he ever got.
It was also nice to get a solid Scents and a great set closing Cavern. Waste as an encore does nothing for me. So everything before is pretty much solid material for a somewhat strange era.