Big Cypress! Wow, what can I say? It's probably futile to try to capture the essence of even just the music upon relisten, not having been in attendance, but I do that, so I'll try. Split Open and Melt -> Catapult in the first set evolves into a groove that would reappear in permutations throughout The Set... it's almost as if Big Cypress had its own unprecedented and never-again-repeated jamming style, akin to the cowfunk of Fall '97. The highlights are too many to address individually, and you'll want to hear it all, anyway, but Rock and Roll develops a really unique jam with a quasi start-stop thing going on with plenty of cowbell from Fishman. The Cheesecake vocal jam is probably legendary, as it should be. An older review on here mentioned how noteworthy it was that Phish pulled off a "note-perfect" Reba and Bowie in the wee hours of the morning on New Year's Day, and that's true. The huge Roses Are Free (I think the longest one ever) is another one of the many, many reasons to listen to this entire festival. I'll conclude with this: I don't just have Phishtory memorized, but I think I may viddy around and see if this "millennial jamming" was entirely unique to Big Cypress or not... my hunch is that it is, and that makes this all the more of an outstanding achievement in the field of excellence.