Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by phishyeducator
Set II was just right. Carini got us started heavy with some good jamming that all-too-quickly led into Sand. Sand's jam was short but hot, and that led into a Golden Age for the ages. Soooo spacey and free, from the floor looking up at the ceiling it felt like we were being lifted off into the stratosphere in the Mothership. The Golden Age jam meandered through many phases and explored many places in it's 23+ minutes, from tasty licks to ambient spaces and gradually found its way into Twist. Twist was well played and led into a Mountains in the Mist that was so delicate and sweet, it was just what we needed to cool down and catch our breath. Meatstick was another appreciated song, and the SOAMelt that ended the set reprized the dark jammy themes from earlier in the set. Lizards sent us home with gigantic smiles on our faces, and as we all realized on the way out: the trick was to surrender to the flow.