Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by headyburritos
Highlights of the first set are definitely Tube and the Mike's Groove. Tube really helped the second half of the first set shine with it's funky energy to start the jam section followed by a triumphant bliss-driven peak to close it out. For sure a stand-out version among the many great Tubes of recent times. The Mike's segment gets a special boost for the Lifeboy bustout and is of course it's natural dance party to end the first set.
Second set is where the goods are at in this show. Carini is always a great set 2 opener and this is no slouch. Dark from the get-go, this jam takes on a hypnotic industrial sound at the end of the jam, with some expert DDHVL vocal quotes layered on by Fishman to add to its spookiness. 46 Days, although pretty straightforward, keeps things feeling dark and murky and ends with some nice ambient space leading into SaSS, where this set really picks up the momentum. Although I wish they would play the intro more often, this version still kicks ass without it. Dark, spooky, and industrial at the start of the jam, then giving way to some tropical sounding dance music, this jam showcases all that Phish has to offer.
Has anyone ever regretted seeing a mid-second set Crosseyed? Neither did anyone at this show. 2001 and Possum great energy boosts late in the second set, leading up to the big finale and showcase jam of this night, Split Open and Melt. This jam really does have it all, spread out over several very distinct jam segments. A lot of the same dark, industrial tones from earlier in the set, played to perfection. Minutes 9-15 of the jam are some of the finest in this Vegas run. Definitely the highlight of this show and possibly even of this entire run. Never miss a Saturday show…?