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Review by talkinghead
So what was it about this show? It wasn’t a show of moments or individual songs or jams for me. In fact, the most memorable part of the show was the communal Antelope roar. It wasn’t a visit to the high peaks region, there wasn’t any banter or gags, no spacey jazz-jams, no major-league bust-outs, no 59-minute songs and no comic relief songs. It was the band playing *music* like no one else can, all heart and soul and muscle. No nonsense, all focus. Often, the end of a big second-set song leaves me grateful but a little sad that the creative reach of the show might have peaked. On Friday night, the end of each major journey (take your pick in that second set) left me catching my breath, smiling, and ready for the next one. And every time … the next one found its own groove and its own bliss.
One small note: the only minor criticism I’ve read is that at times Trey was working hard to find his way. I think that’s true (I felt it first in the Moma Dance) but that was one of my favorite parts of the show. It’s so cool to see the greatest guitar player since Jerry patiently finding his way, staying with the brilliantly played rhythms of Mike and Fishman, maybe struggling at times but persevering and abiding. What a treat!!!!